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Basándose principalmente en el fr. 15, el autor sostiene que para Jenócrates el ámbito del nous-mónada-Dios está por encima de la esfera de las estrellas fijas y el ámbito del alma-mundo-díada está por debajo, un ámbito éste que incluye a la vez[...]![]()
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Review: Yorgos Ioanu, El sarcófago, trad. esp. de Amor López, Elisa Ibáñez y Román Bermejo, Valladolid, Servicio de Publicaciones de la Universidad, 1998, 258 pp., ISBN 84-7762-829-7 Reseña de Yorgos Ioanu, El sarcófago, trad. esp. de Amor López[...]![]()
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In the Latin American theatre, especially in Cuba and Brazil, with a high black population, Greek heroes of this race were represented on stage for the first time. Black Orpheus, created by the Brazilian Vinicius de Moraes in his dramatic work O[...]![]()
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Zu zwei Goldlamellen aus Thessalien Zu zwei Goldlamellen aus Thessalien![]()
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ἀναγιγνώσκειν καθ’ἐαυτόν (Vida de Apolonio de Tiana 5.38)![]()
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The Homeric βάλλω does not conceal two different lexical items. Both βάλλω1 'throw and hit' (with Acc. of the projectile and directive or locative expressions) and βάλλω2 'hit' (with Acc. of the reached goal and Dat. of the projectile) are conte[...]![]()
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¿Γηρυγόνος o Γηρύγονος?![]()
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In relation to the myth of Melanthus and Xanthus Conon (Narr. 39) refers to a epiklesis of Dionysus. This paper defends the lectio transmitted in the mss.,Μελανθίς / Μελανθίδης, against the emendation Μελάναιγις adopted in recent editions of Con[...]![]()
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This paper studies εἶτα and ἔπειτα in the tra-gedies of Aeschylus, Sophocles and Euripides preserved complete in order to identify and explain their usages as conjunctive adverbs in contrast to the use as prototypical time adverbs. Eἶτα and ἔπει[...]![]()
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Εὔνοια como elmento estructural del discurso Sobre la Corona![]()
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In this article the author defends the reading έως ού, which appears in one group of manuscripts of Herodotus. Though this construction is commonly thought to be used only from the hellenistic period, two other examples are found in the classica[...]![]()
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In Old Comedy we often find elements that belong to other literary genres used with a comic purpose. Cratinos is not a exception. In the present study we analyze the homeric elements in Cratinos' fragments, not only the literary parody examples [...]