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Universidad de Chile. Instituto de la Comunicación e Imagen |
Documentos disponibles de esta editorial (637)
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The article examines how historical trauma has been explored through documentary film, considering difficulties such as constituting a witness to an event which sometimes does not have any material evidence or witnesses, and which can be unavail[...]![]()
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Santa Cruz Achurra, Eduardo | Universidad de Chile. Instituto de la Comunicación e Imagen | 2008-01-01The present text was centered in the kind of analysis about and towards the discoursivityof the popular, produced and broadcast by the fictional national cinema, specially since the ‘90s and forwards. Despite the previous, and more as a necessit[...]![]()
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The first experiences of college radio in Latin America are established in Argentina. Over time some countries in the región have to opened thiskind of stations showing a diversity of sounds and ideological ideologies for the benefit of communit[...]![]()
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Re-elaborating the categories of representation of the popular in Sunkel (1985), the concept of absent popular culture is proposed, whose foundation arises from the articulation of 3 theoretical matrices: Latin American comunicology of social ch[...]![]()
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Raya Bravo, Irene ; Sánchez-Labella, Inmaculada ; Durán, Valeriano | Universidad de Chile. Instituto de la Comunicación e Imagen | 2018-06-30Teen characters have a relevant presence in current TV shows, and, especially, play-ing the leading roles. Their construction involves a number of recognizable stereo-types, but they also include some characteristics of the problems and situatio[...]![]()
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The evolution of the Spanish television goes parallel with the History of Spain due to the essential role that this mass media has played in the collective life of the country. Consuming television has been one of the main socializing elements a[...]![]()
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This article analyses critically, from perspectives linked to hegemony theory, some of the concepts and argumentation used by the journal El Mercurio in Santiago in order to influence directly or indirectly the educational debates in Chile betwe[...]![]()
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The perspective of the child and the adolescent in the Latin America cinema not only provides an insight to the individual process of development but also serves as an intriguing national allegory. By examining the parameters and themes provided[...]![]()
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This article retrieves the proposals of British cine-structuralism and examines Peter Wollen’s ideas in his book Signs and Meaning in the Cinema that played a crucial role in the constitution of a new critical perspective. Drawing from Claude Lé[...]![]()
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The central importance of the Raúl Damonde Taborda (COPI) comic work, resides in the paradigmatic condition of its production in the comic field. Obviously, this work cannot replace a proper study that would require of a deep and systematic inve[...]![]()
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Content analysis is a widely utilized technique by researchers on mass media. Generally, researchers in quantitative content analysis rely on several coders to enter the data. A key question they face is whether it is possible to assure that th[...]![]()
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This paper presents a general overview of the narra-tological tradition in order to pose the existence of narrative strategies that are common to every narration. Terminative theory has received much more attention than inchoative theor[...]![]()
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In mid-2011, the performance "The Nation and the Domestic," was born as part of a reflexive process of gender relations in the context of the mining conflict in the Choapa Valley, which for years has been held between the company Los Pelambres a[...]![]()
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The article discusses articulations that are woven between the media, political and social fields in the case of social protest. It analyzes the cases of two strikes that occurred in Chile in 2010: the hunger strike of Mapuche prisoners and the [...]![]()
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This article addresses the visual ways in which gender violence is represented through the semi-pragmatic analysis of the photo essay by the photojournalist, Gastón Iñiguez titled, Siete Vidas. Sobreviviendo a la violencia machista (2018), which[...]![]()
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The Bolivian cinema has filmed two spaces in particular: the city of La Paz and the Altiplano, near to the city. The reason for this interest is not difficult to guess: they are the spaces where it has played much of the political history of Bol[...]![]()
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Moreno Díaz, Julio ; Medina de la Viña, Elena | Universidad de Chile. Instituto de la Comunicación e Imagen | 2017-06-30The arrival of the autonomous channels and, later, of the private channels broke the monopoly of the public television in Spain. Since that, the networks bet by the great spectacular contests as a formula to attract the audience and the advertis[...]![]()
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Little work has been done around the meta-image of political cinema and its essential role in shaping the complex process of historical trauma in Chile. This paper examines and compares different aspects of the relationship the Popular Unity gov[...]![]()
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All criticism of the film The Reader points to how the story gets in the Nazi Holocaust drama from the life of a guardian of postwar Auswchitz and how even after that period, continues to affect innocent emotionally involved with her present. Ho[...]![]()
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Costa FlorianLelis, Monik | Universidad de Chile. Instituto de la Comunicación e Imagen | 2015-01-21Este artigo tem o objetivo de analisaro documentário “The Short Game”, de 2013, um documentário sobre um Campeonato Mundial de Golfe Júnior, com crianças de até 8 anos de idade, que ocorre todos os anos, nos Estados Unidos. O que o documentário [...]![]()
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Brito-Rhor, Maria Dolores | Universidad de Chile. Instituto de la Comunicación e Imagen | 2019-12-29In order to determine the use of the female image on the covers of the largest magazines in Ecuador, an analysis of psycholinguistic content was carried out from two perspectives: an investigation of the types of sexual information in advertisin[...]![]()
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