| Título: | Afrocetrism, gaze and visual experience in Zora Neale Hurston’s Their Eyes Were Watching God : Afrocentrism, gaze and visual experience in Zora Neale Hurston’s Their Eyes Were Watching God |
| Autores: | Marín Calderón, Norman |
| Tipo de documento: | texto impreso |
| Editorial: | Universidad de Costa Rica. Campus Rodrigo Facio. Sitio web: https://www.ucr.ac.cr/ Teléfono: (506) 2511-4000, 2018-06-06 |
| Dimensiones: | application/pdf |
| Nota general: |
Káñina; Vol 42 No 1 (2018): Káñina (March-June); 261-269 Káñina; v. 42 n. 1 (2018): Káñina (Marzo-Junio); 261-269 Káñina; Vol. 42 Núm. 1 (2018): Káñina (Marzo-Junio); 261-269 2215-2636 0378-0473 Derechos de autor 2018 Káñina http://creativecommons.org/licenses/by-nc-nd/4.0 |
| Idiomas: | Español |
| Palabras clave: | Artículos , Open Access DRIVERset |
| Resumen: |
This essay focuses on how, in Zora Neale Hurston’s novel Their Eyes Were Watching God (1937), African American women get noticed through the use of gaze and visual experience. The marginalization African American women have experienced over the years makes them produce an alternative communication system based on sight and visual understanding. That is, the visual takes over the impossibility of black women to express themselves verbally: instead of voice there is sight. This essay focuses on how, in Zora Neale Hurston’s novel Their Eyes Were Watching God (1937), African American women get noticed through the use of gaze and visual experience. The marginalization African American women have experienced over the years makes them produce an alternative communication system based on sight and visual understanding. That is, the visual takes over the impossibility of black women to express themselves verbally: instead of voice there is sight. |
| En línea: | https://revistas.ucr.ac.cr/index.php/kanina/article/view/33568 |
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