Título: | ¿Platón enemigo del arte? |
Autores: | Lossau, Manfred |
Tipo de documento: | texto impreso |
Editorial: | Ediciones Universidad de Valladolid, 2019-02-20 |
Dimensiones: | application/pdf |
Nota general: |
Minerva; No 6 (1992); 117-139 Minerva. Revista de Filología Clásica; Núm. 6 (1992); 117-139 2530-6480 10.24197/mrfc.6.1992 Derechos de autor 2019 Manfred Lossau http://creativecommons.org/licenses/by-nc/4.0 |
Idiomas: | Español |
Palabras clave: | Artículos |
Resumen: |
The things in the world, not least the products of the Fine Arts as well as of poetry, are not representations of the beautiful, and Plato does not admit to «his» polis either artists or their art as they are, inasmuch as those products are not likenesses of the idea of the beautiful, of the beautiful man, the beautiful thing. Notwithstanding, Plato was not only an artist himself but a connoisseur of the Fine Arts, to the highest degree, and objectively the elite condition of working in the Academy provided him with a position to be even an amateur of these Fine Arts. The things in the world, not least the products of the Fine Arts as well as of poetry, are not representations of the beautiful, and Plato does not admit to «his» polis either artists or their art as they are, inasmuch as those products are not likenesses of the idea of the beautiful, of the beautiful man, the beautiful thing. Notwithstanding, Plato was not only an artist himself but a connoisseur of the Fine Arts, to the highest degree, and objectively the elite condition of working in the Academy provided him with a position to be even an amateur of these Fine Arts. |
En línea: | https://revistas.uva.es/index.php/minerva/article/view/3185 |
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