Título: | Las fronteras, la muerte y la eternidad. La poesía en el cine de T. Anguelópulos |
Autores: | López Jimeno, Amor |
Tipo de documento: | texto impreso |
Editorial: | Ediciones Universidad de Valladolid, 2019-07-02 |
Dimensiones: | application/pdf |
Nota general: |
Minerva; No 15 (2001); 219-242 Minerva. Revista de Filología Clásica; Núm. 15 (2001); 219-242 2530-6480 10.24197/mrfc.15.2001 Derechos de autor 2019 Amor López Jimeno http://creativecommons.org/licenses/by-nc/4.0 |
Idiomas: | Español |
Palabras clave: | Congresos y Jornadas |
Resumen: |
In this paper the authoress deals with the film “The eternity and a Day”, linking it with modern Greek Lyrics, especially with the character of Dionysios Solomos, cornerstone of National Greek Poetry. His presence in the film is used as a symbol of Greek values which, in times of crisis (either individual –illness– or collective –war, immigration–) turn themselves into universal referents such as freedom and human dignity. In this paper the authoress deals with the film “The eternity and a Day”, linking it with modern Greek Lyrics, especially with the character of Dionysios Solomos, cornerstone of National Greek Poetry. His presence in the film is used as a symbol of Greek values which, in times of crisis (either individual –illness– or collective –war, immigration–) turn themselves into universal referents such as freedom and human dignity. |
En línea: | https://revistas.uva.es/index.php/minerva/article/view/2850 |
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