Título: | Hamlet: the Advent of Modernity |
Autores: | Férez Mora, Pedro Antonio |
Tipo de documento: | texto impreso |
Editorial: | Ediciones de la Universidad de Murcia (Editum), 2012-12-25 |
Dimensiones: | application/pdf |
Nota general: |
Cartaphilus. Journal of Aesthetic Research and Criticism; Vol 10 (2012); 45-54 Cartaphilus. Revista de investigación y crítica estética; Vol. 10 (2012); 45-54 1887-5238 |
Idiomas: | Español |
Palabras clave: | Artículos |
Resumen: | Hamlet is such an obscure, impenetrable and nuanced writing that it has been prey to a runaway interpretative voracity on the part of the critics. This boundless fertility has fostered imagination excessively, most of the times, to the detriment of a unitary study of the play. In fact, criticism in general has made of Hamlet a bunch of unconnected fragments. T. S. Eliot soon perceived the dangers of carrying out this kind of literary analysis. |
En línea: | https://revistas.um.es/cartaphilus/article/view/167641 |
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