Título:
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Heritage and museums artefacts as cultural resource for creative practice in social transformation
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Autores:
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Ionesov, Vladimir I.
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Tipo de documento:
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texto impreso
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Editorial:
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Universidad Complutense de Madrid, Servicio de Publicaciones, 2015
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Dimensiones:
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application/pdf
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Nota general:
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info:eu-repo/semantics/openAccess
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Idiomas:
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Palabras clave:
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Estado = Publicado
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Materia = Ciencias Sociales: Sociología: Antropología
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Materia = Ciencias Sociales: Sociología: Cambio social
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Materia = Ciencias Sociales: Sociología: Cultura popular
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Materia = Ciencias Sociales: Sociología: Folclore
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Materia = Ciencias Sociales: Sociología: Movimientos sociales
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Materia = Ciencias Sociales: Sociología: Sociología rural
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Materia = Ciencias Sociales: Sociología: Sociología urbana
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Materia = Ciencias Sociales: Sociología: Opinión pública
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Materia = Humanidades: Geografía: Geografía humana
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Materia = Humanidades: Historia
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Materia = Humanidades: Historia: Arqueología
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Materia = Humanidades: Historia: Museos
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Tipo = Sección de libro
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Resumen:
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This paper focuses on the problem of using the artifacts of a culture of peace in museum and educational practice as a creative resource for cross-cultural communication and social reconciliation. The author challenges the view at the exhibits of a Peace Museum only as stiffened trace of time, memory index and memorial objects. It is proposed to consider museum artifacts as actual participants of current events from two angles of vision. Historical artifacts as museum exhibits and bygone experiences (samples of the past) acquire their meaning and significance only in contact with the present, joining the dialogue on the latest challenges humankind faces here and now. At the same time, objects as samples of peacemaking convey experiences of a culture of nonviolence and reconciliation, and therefore become the most in demand in urgent and dramatic situations of the present day. Unlike standard interpretations, I argue that the objects exhibited at a peace museum can be useful to the society only when we manage to relate and update them to the current life experience. Keeping and exposing the artifacts of peacemaking only as exhibits of the past, we mothball them, depriving them of vital communion with modernity. This paper is based on published materials, projects and collections of the Samarkand Museum of Peace and Solidarity (Uzbekistan) and creative practices of the Samara Society for Cultural Studies “Artifact - Cultural Diversity” (Russia).
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En línea:
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https://eprints.ucm.es/36507/1/HeritageAndMuseumsArtefacts.pdf
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