| Título: | Communication Disorder: Contemporary Art and Psychoanalysis |
| Autores: | Mandelli de Marsillac, Ana Lúcia |
| Tipo de documento: | texto impreso |
| Editorial: | Raúl Eguizabal, 2019-06-23 |
| Dimensiones: | application/pdf |
| Nota general: |
cc_by_nc_nd info:eu-repo/semantics/openAccess |
| Idiomas: | |
| Palabras clave: | Estado = Publicado , Materia = Ciencias Biomédicas: Psicología: Psicoanálisis , Materia = Ciencias Sociales: Ciencias de la Información , Materia = Ciencias Sociales: Ciencias de la Información: Comunicación social , Materia = Ciencias Sociales: Ciencias de la Información: Investigación en la comunicación , Materia = Humanidades: Historia del Arte: Arte s. XIX-XX , Tipo = Artículo |
| Resumen: |
This revision seeks to analyze the methodological intersections of contemporary art and psychoanalysis, by considering the value attributed to communication disorders by both fields. I will analyze elements of "In the Face of time: History of art and anachronism of Images" (2000), by Didi-Huberman. In addition, I will single out two texts that are crucial to the psychoanalytic method: "The Uncanny” (1919), by Freud and "Function and field of speech and Language" (1953), by Lacan. The concept of the uncanny is central to this approach, since it reveals the proximity between strangeness and familiarity. It is through the concept of the uncanny that psychoanalysis unfolds the perspective of a negative aesthetics, which is not at the service of the completeness of communication. Instead, it focuses on the cracks that paradoxically allow us to say more and to look at the latent contents of communication. Contemporary art and psychoanalysis both use non-linear communication. Research performed at their intersection is based on qualitative methodologies and seeks to analyze exemplary situations in culture, such as the discourses of an epoch and works of art. In this methodological encounter, there isn’t a single meaning to be sought. On the contrary, it is the researcher’s task to reflect on the paths that lead to the creation of a work of art, as well as on the ideals it conveys, its singularity and its relationship with culture. He can then render visible the complexity and the multiple meanings embedded in the work of art |
| En línea: | https://eprints.ucm.es/56654/1/AnaLuciaMandelli.pdf |
Ejemplares
| Estado |
|---|
| ningún ejemplar |
