Título: | 3d digital technology application in an anatomical model of wax: medici venus of "javier puerta" anatomy museum (Faculty of Medicine. Complutense University of Madrid) |
Autores: | Sterp, Emanuel ; Sánchez Ortiz, Alicia |
Tipo de documento: | texto impreso |
Fecha de publicación: | 2017-06-29 |
Dimensiones: | application/pdf |
Nota general: | info:eu-repo/semantics/openAccess |
Idiomas: | |
Palabras clave: | Estado = Publicado , Materia = Humanidades: Bellas Artes: Conservación y restauración de obras de arte , Materia = Humanidades: Bellas Artes: Iconografía , Materia = Humanidades: Bellas Artes: Realidad virtual , Materia = Humanidades: Bellas Artes: Diseño por ordenador , Materia = Humanidades: Bellas Artes: Escultura , Tipo = Ponencia o Póster de Seminario , Congreso , etc |
Resumen: |
Introduction: The collection of artificial wax mod-els in "Javier Puerta" Museum of Anatomy in the cabinet of the Royal College of Surgery of San Carlos in Madrid were created for educational pur-poses. In this collection stand out a model of a fe-male figure with a natural size body similar to the typical grecolatina Venus. Known as the Venus de Medici, it was created by Ignacio Lacaba between 1786-1787, just after his return from the Court of Paris. The Venus wax model is considered the only model which can be dismantled. Objective: From the point of view of the delicate state of the Venus preservation, now that im-portant deteriorations affect the model stability and the model has damages derived from previous and not respectful interventions, it has been considered appropriate to include advanced digitization with 3D techniques that made possible an exhaustive study of the sculpture. The main objective has been to obtain a virtual replica of the model to be able to propose different restoration options, avoid-ing the direct manipulation and the risks derived from it. Materials and methods: First it has been made a photographic record. Then the photogrammetry technique has been used to obtain the final result, the three-dimensional model. To design prototypes and guarantee the correct stability of the sculpture have been used software’s depending on the state of the process. Likewise, virtual reconstructions of the damaged areas have been made to show how Abstracts 260 the final result would be if the real intervention was carried out on the model: cleaning of pollutants, removal of non-original materials (varnishes, adhe-sives, wax pastes...), and volumetric reconstruc-tion of the gaps and treatment of chromatic re-touching with pigments. Conclusions: With these tools, the restorer has a virtual replica of the model to study different solu-tions, choosing and taking into account the charac-teristics of the original model. |
En línea: | https://eprints.ucm.es/49883/1/Poster%20Medicina.pdf |
Ejemplares
Estado |
---|
ningún ejemplar |