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11 búsqueda de la palabra clave 'Dossiê - Fotografia'
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This article employs the concepts of genre and function as a contribution toward developing methodologies for analyzing photographs from a historian’s perspective. The genre of photojournalism is examined in terms of the different functions carr[...]![]()
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In September of 2015, the photograph of the corpse of the Syrian boy Aylan Kurdi by Nilüfer Demir caused a world commotion. The child was drowned in the Aegean Sea during an attempt to flee the civil war in Syria. His body was found on a tourist[...]![]()
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The city of Rio de Janeiro and the themes that interweave its history have been covered by the most diverse types of photographic books, launched in Brazil and abroad, for over a century. Considering the complex and multifaceted nature of textua[...]![]()
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Fashion photography, especially after the 1960s, has freed itself from the task of representing fashion as commodity, becoming experimental or unconventional, and further, narrowing its relations with art. It also characterizes fashion photograp[...]![]()
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The objective of this article is to understand how Mexico made use of a visual discourse, more precisely photographic, as a strategy of diplomatic, cultural and political propaganda in Brazil. For that I will use as a source and object the book [...]![]()
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After the death of Benjamin Constant in 1891, his image of Founder of the Republic was manufactured by a fraction of the political elites and, above all, by the Brazilian positivists. This heroic image materialized in pictures that migrate from [...]![]()
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Examining how philosophy operates the human/animal distinction throughout its history, Giorgio Agamben concluded that any concept of humanity should both exclude and include animal nature. He called this metaphysical device “anthropological mach[...]![]()
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This article aims to analyze the kind of images published in the Caras y Caretas magazine between 1898 and 1939, reconstruct the debates that took place about the publication and the changes that it boosted in the contemporary press. In the earl[...]![]()
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This article analyses three photographic initiatives with the objective of discussing some of humanist photography’s manifestations after the Second World War, and its relations with the conflict. Starting from one of the first photographic seri[...]![]()
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Isidro Velázquez is known as the last “insurgent gaucho” of the northeast of Argentina. In 1967 he was shot by the police in the Chaco province. His mutilated body, andthat of his friend Vicente Gauna, were exhibited in public in several cities [...]![]()
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This research seeks to study the representation of delinquents and criminals through the narrative and visual discourses present in three magazines of the Chilean Investigation Police: Detective,Criminología y policía científica and Criminología[...]